This project began during the COVID-19 pandemic, as an extension of my “531 Balcony and Field Drawings” series.

I began adapting selected drawings into various sculptural forms of interpretation, materializing the Bubliland Kingdom, featuring Queen Bublil and her subordinates confined to a hole in the wall. In the exhibition space the different interpretations were displayed alongside their source drawings, serving as guides unraveling the transformative processes they underwent.